I absolutely loved this Arthurian novel! It is a must read for anyone who enjoys a good story about King Arthur and his crew, especially my favorite, Morgan Le Faye. Mr. Faulkner is a masterful storyteller and this standalone novel won’t disappoint.
One day left! Get your copy while it’s still FREE!
Thanks so much for all your support!
Charlie Hunnam stars in KING ARTHUR: LEGEND OF THE SWORD, directed by Guy Ritchie – in theaters March 24, 2017
Acclaimed filmmaker Guy Ritchie brings his dynamic style to the epic fantasy action adventure “King Arthur: Legend of the Sword.” Starring Charlie Hunnam in the title role, the film is an iconoclastic take on the classic Excalibur myth, tracing Arthur’s journey from the streets to the throne.
When the child Arthur’s father is murdered, Vortigern (Jude Law), Arthur’s uncle, seizes the crown. Robbed of his birthright and with no idea who he truly is, Arthur comes up the hard way in the back alleys of the city. But once he pulls the sword from the stone, his life is turned upside down and he is forced to acknowledge his true legacy…whether he likes it or not.
Starring with Hunnam (FX’s “Sons of Anarchy”) and Oscar nominee Law (“Cold Mountain,” “The Talented Mr. Ripley”) are Astrid Bergès-Frisbey (“Pirates of the Caribbean: On Stranger Tides”) as Mage; Oscar nominee Djimon Hounsou (“Blood Diamond,” “In America”) as Bedivere; Aidan Gillen (HBO’s “Game of Thrones”) as Goosefat Bill; and Eric Bana (“Star Trek”) as Arthur’s father, King Uther Pendragon.
Guy Ritchie (“The Man from U.N.C.L.E.,” the “Sherlock Holmes” films) directed the film from a screenplay is by Joby Harold (“Awake”) and Guy Ritchie & Lionel Wigram, story by David Dobkin (“The Judge”) and Joby Harold. The film is produced by Oscar winner Akiva Goldsman (“A Beautiful Mind,” “I Am Legend”), Joby Harold, Tory Tunnell (“Awake,” “Holy Rollers”), and “The Man from U.N.C.L.E.” and “Sherlock Holmes” producers Steve Clark-Hall, Guy Ritchie and Lionel Wigram. David Dobkin and Bruce Berman are executive producers.
Ritchie’s behind-the-scenes creative team included two-time Oscar-nominated director of photography John Mathieson (“Gladiator,” “The Phantom of the Opera”), Oscar-nominated production designer Gemma Jackson (“Finding Neverland”), editor James Herbert (“The Man from U.N.C.L.E.,” “Edge of Tomorrow”), costume designer Annie Symons (Masterpiece Theater’s “Great Expectations”), makeup and hair designer Christine Blundell (“Mr. Turner,” the “Sherlock Holmes” films), and Oscar-nominated VFX Supervisor Nick Davis (“The Dark Knight”). The music is by Daniel Pemberton (“The Man from U.N.C.L.E.”).
Warner Bros. Pictures presents, in association with Village Roadshow Pictures, a Weed Road/Safehouse Pictures Production, a Ritchie/Wigram Production, a Guy Ritchie film, “King Arthur: Legend of the Sword.” Slated for release on March 24, 2017, the film will be distributed in North America by Warner Bros. Pictures, a Warner Bros. Entertainment Company, and in select territories by Village Roadshow Pictures.
I am super excited to see Charlie as King Arthur. This version may not be historic in terms of Arthurian history, but it is historic for a theater release. I don’t think any Arthurian scholars, myself included, are ever happy with someone outside our circle telling their rendering of the Arthurian legends and/or history, but we should at least try to enjoy it. Next March I will try to forget what I know, I’ll walk into the theater as an enthusiast instead of an Arthurian scholar and enjoy watching this version of King Arthur.
Nay, I may not so, for I have promised to do the battle to the uttermost by the faith of my body, while me lasteth the life, and therefore I had liefer to die with honour than to live with shame; and if it were possible for me to die an hundred times, I had liefer to die so oft than yield me to thee; for though I lack weapon, I shall lack no worship, and if thou slay me weaponless that shall be thy shame.
~King Arthur to Sir Accolon, 117
There are many examples throughout Le Morte d’ Arthur of knights refusing to yield out of honor. Such examples provide strong instance of the fame that knights pursue. Here, Arthur will not yield in a fight, even though he is weaponless. He knows there is some trickery at hand, but he also knows that the lives of the knights he is fighting for hang in the balance. His honor is more important to him than his life; at the same time, he would rather die than be shamed by yielding. Thankfully, Nimue steps in to help Arthur regain his sword, suggesting that honor breeds reward.